Lim Siang Jin (Fear and Hope in Covid Times) is a self-taught artist who has been painting since the mid-1970s. At 69, he has had three excursions into art: years at university in Britain as a student and as a rookie journalist in Malaysia (1973-1982); time he spent at a Malaysian policy research institute as head of publications (1985- 1991); and during and after the Covid lockdowns (2020-2022). There was a gap of 30 years (1989-2020) when he hardly produced anything new. During much of the three decades, he was deeply involved in newspaper publishing, communications, and branding and marketing.

Lim's work appears in Issue 12 of Hinterland. Click here to buy a copy.

Camilla Brueton (Untitled #9 - The Tax Office Collages, The ridge above Cefn Onn) is an artist and writer who is curious about place. Camilla has exhibited across the UK and currently has a public art commission, ‘moss. quarry.plaque’ on display in the City of Hobart’s digital twin, created in collaboration with Margaret Woodward (Hobart, Tasmania). Camilla is interested in the potential of bringing words and images together through publication and performance. She lives and works in Cardiff, Wales.

Camilla's work appears in Issue 11 of Hinterland. Click here to buy a copy.

Reece Reilly (Stoic Indifference) is an artist and printmaker based on the east coast of Norfolk. With a strong focus on collage and colour and a love of awkward composition; his work explores ideas of perception and interaction. Instagram: @reece_reilly

Reece's work appears in Issue 10 of Hinterland. Click here to buy a copy.

Liz Taunt (RUNE) is our cover artist. She uses many different printmaking techniques including drypoint, lino, collagraph and monoprint, and she has recently been making collages from discarded prints. She is not interested in narrative or realism in her art, instead she is trying to bring something new into the world that combines the chaotic, the arbitrary and the awkward: things that surprise her and prompt the question ‘where did that come from?’ She gets lost (in a nice way) in a parallel world, and tries to invent ciphers and shorthand to describe her particular reality.

Liz's work appears in Issue 9 of Hinterland. Click here to buy a copy.

Tom Hutchings (Picnic Blanket) is our in-house graphic designer and cover artist. He’s a freelance graphic designer specialising in print design, and can eat his own body weight in crisps given the opportunity. Have a look at his work on thorngraphicdesign.com

Tom's work appears in Issue 8 of Hinterland. Click here to buy a copy.

Tom Hutchings (Dappled Halflight) is our in-house graphic designer and cover artist. He's a freelance graphic designer specialising in print design, and is generally very friendly and approachable despite having a toddler who has forgotten how to sleep. Have a look at his work on www.thorngraphicdesign.com

Tom's work appears in Issue 7 of Hinterland. Click here to buy a copy.

Tom Hutchings (Chilled Breeze)

Tom's work appears in Issue 6 of Hinterland. Click here to buy a copy.

Tom Hutchings (Summer Skies) is our in-house graphic designer and photographer, based in the south of London. He's spent a lot of time this summer thinking about how people play games and how the interfaces of games (both physical and digital) can help or hinder their enjoyment. Have a look at his varied output at www.thorngraphicdesign.com.

Tom's work appears in Issue 5 of Hinterland. Click here to buy a copy.

Mia Hague (Coming Through) is a full-time illustrator who works from Norwich Artist Studios. Specialising in the medium of collage, she mainly works by hand with paint, found objects, books, maps, and photographs. Her work features original characters and intricate landscapes, with the odd shipping forecast thrown in for good measure. She proudly shows her workings and leaves mistakes in. Mia is open to new collaborations and commissions in 2020 having just launched her new venture, a greetings card business with a difference: www.greylingpost.com.

Mia's work appears in Issue 4 of Hinterland. Click here to buy a copy.

Rebecca Pymar (The British Library) is an artist living and working in Norwich. Her work focuses on the built environment, illustrating places and spaces which have history and meaning. Rebecca's style is stripped back, stylised and precise, paying close attention to both colour and perspective; creating balanced yet striking pieces. She is inspired by what she sees around her and adopts a minimal approach to colour and detail, focusing on form and composition to create instantly recognisable and memorable pieces.

Rebecca's work appears in Issue 3 of Hinterland. Click here to buy a copy.

Richard Horne (You Are Here) is a graphic designer, illustrator, author, screen and gocco printer. His books include the best selling 101 Things To Do Before You Die series and the Modern Day Spotter's Guide amongst others. He also illustrated the best selling The Dangerous Book for Boys, winner of the 2007 book of the year at the British Book Awards. His clients include The National Trust, Guardian & Guardian Guide, UEA, Comic Relief, Harper Collins, Penguin Random House, Universal Music, Warner Music and the V&A Museum.

Richard's work appears in Issue 2 of Hinterland. Click here to buy a copy.

Joshua Jones (Dreamscape) is an illustrator based in Cambridge, who specialises in traditional media and dabbles in digital illustration. Alongside his editorial artwork, Josh has collaborated on a wide range of projects, including band posters, indie board games and scientific infographics. If he’s not drawing Josh is probably playing D&D, or walking his dog. Find him online at www.joshuajonesprojects.com

Joshua's work appears in Issue 1 of Hinterland. Click here to buy a copy.