Julie Zuckerman‘s (Abbaye de Valloies) debut novel-instories, The Book of Jeremiah, was published in May 2019. Her writing has appeared in CRAFT, Jewish Women’s Archives, Crab Orchard Review, SFWP Quarterly, Atlas & Alice, and Sixfold. A native of Connecticut, she now lives in Israel with her husband and four children. She is the founder of the Literary Modiin author series, connecting readers and writers of Jewish books. When she’s not writing, she can be found reading, running, biking, and trying to grow things in her garden.

Julie's work appears in Issue 11 of Hinterland. Click here to buy a copy.

Jean Sprackland’s (Other Clocks) latest book is These Silent Mansions: a life in graveyards, which was shortlisted for the PEN Ackerley Award in 2021. Strands won the Portico Prize for Non-Fiction in 2012. She is the author of five collections of poetry, including the Costa Award-winning Tilt. Jean is Professor of Creative Writing at Manchester Metropolitan University.

Jean's work appears in Issue 11 of Hinterland. Click here to buy a copy.

Hannah Garrard (1989) writes creative non-fiction from her home in Norwich, where she lives with her partner and son and currently works as a programme manager at the National Centre for Writing. In 2015 she completed an MA in Creative Non-Fiction at the UEA, where she wrote an account of the Liberian civil war with help from the insights and recollections of the refugee children she taught whilst working in West Africa. Her writing has appeared in independent literary journals and news sites.

Hannah's work appears in Issue 11 of Hinterland. Click here to buy a copy.

Linda Cracknell (Crossing the Bar) lives in Highland Perthshire and is a writer for whom place, memory and motion are important. Her non-fiction was most recently published in book form in Doubling Back: ten paths trodden in memory (Freight, 2014), a BBC Radio 4 Book of the Week in which she retraces memories underfoot. She has also published four works of fiction and had a number of radio plays produced. Crossing the Bar is extracted from a work in progress, Three Ships: tides in the affairs of a family, which explores her connection to the sea and her family’s seafaring past. https://linktr.ee/ LindaCracknellWriter

Linda's work appears in Issue 11 of Hinterland. Click here to buy a copy.

Alison Baxter (El Chaltén) has an MA in Biography and Creative Non-Fiction from the University of East Anglia and a PhD in Creative Writing from Oxford Brookes University. Her doctoral thesis explored the ambiguous boundary between fiction and nonfiction in relation to her book, A Cornish Cargo: the untold history of a Victorian seafaring family, published in 2020. Alison is a Fellow of the Royal Historical Society and has a particular interest in the Victorian era and the forgotten lives of so-called ordinary people. She is currently working on a new book based on a tragic story she found in the newspaper archive. She lives in Oxford.

Alison's work appears in Issue 11 of Hinterland. Click here to buy a copy.

Bonnie Lander Johnson (Treasure) is Fellow and Director of Studies in English at Newnham College, Cambridge. Her academic books on early modern literature are Chastity in Early Stuart Literature and Culture, Blood Matters, Shakespeare’s Plants and The Cambridge Handbook to Literature and Plants. She is now working on a biography of Shakespeare, a memoir and a fenland farming novel. In 2022 her short story ‘Idolatry’ was short-listed for the V.S. Pritchett Prize.

Bonnie's work appears in Issue 10 of Hinterland. Click here to buy a copy.

Noah Birksted-Breen (Snow) translated and directed contemporary Russian plays for staging in the UK for his ensemble Sputnik Theatre Company (www.sputniktheatre.co.uk) for over fifteen years. In 2017, he completed a PhD at Queen Mary University of London, and subsequently worked for three years as a researcher of contemporary Russian culture for Creative Multilingualism at the University of Oxford. Noah is a Researcher in Oxford's School of Geography and the Environment and is currently completing an MA in Creative Writing at Birkbeck. In 2019 he was the ?Hackney Winner' of Spread the Word’s City of Stories competition. In 2021, ‘Beef’ was published in The Real Story, and three eco-poems appeared in The Mechanics’ Institute Review.

Noah's work appears in Issue 8 of Hinterland. Click here to buy a copy.

Andrew Kenrick (On Meat) is a founding editor of this magazine.

Andrew's work appears in Issue 8 of Hinterland. Click here to buy a copy.

Margaret Hedderman (The Domain of Courageous Men) writes about the outdoors: environmental science, the use and abuse of wild places, and where we go from here. She is also the founder of the annual Women Outside Adventure Forum. Her experience as a backpacker, climber, and backcountry snowboarder informs and inspires her work. She is currently developing a collection of essays about self-propelled carbon neutral travel and climate change. Margaret holds an MA from the University of East Anglia and lives in Boulder, Colorado.

Margaret's work appears in Issue 5 of Hinterland. Click here to buy a copy.

Cynthia Lewis (Who Will Believe Thee?) is Charles A. Dana Professor of English at Davidson College in North Carolina and has published widely on Shakespeare and his contemporaries, most recently The game’s afoot: A Sports Lover’s Introduction to Shakespeare. Her creative nonfiction has been published in The Hudson Review, New Letters, The Antioch Review, Southern Cultures, The Massachusetts Review and Charlotte Magazine. Four essays have been cited a ‘Notable Essay’ in the Best American Essays series; Return Engagement: The Haunting of Hamlet and Dale Earnhardt, Jr. won Shenandoah’s Thomas Carter Essay Prize for 2016; and Body Doubles won the Merringoff Prize for nonfiction.

Cynthia's work appears in Issue 4 of Hinterland. Click here to buy a copy.

Bart van Es (In Conversation With) was born in the Netherlands and grew up in Norway, Dubai, Indonesia and the U.K. He studied English Literature at Cambridge and is now Professor of English at Oxford. His academic books include Shakespeare in Company and Shakespeare’s Comedies. In 2014 van Es began to look into his family’s wartime history, knowing that a Jewish girl, Lien, had lived in hiding with his grandparents during the occupation. He met Lien, now aged 82, and began the first of a series of interviews that formed the basis for The Cut Out Girl; which won the Costa Book of the Year 2018 and the Slightly Foxed First Biography Prize. Translations are out or forthcoming in fourteen languages.

Bart's work appears in Issue 2 of Hinterland. Click here to buy a copy.

Rebecca Stott (The Fall) is a novelist, broadcaster and historian. She has written several books of creative nonfiction including Darwin and the Barnacle, Darwin’s Ghosts and most recently a memoir, In the Days of Rain, which won the Costa Biography Prize 2017. Rebecca is Professor of Literature and Creative Writing at the University of East Anglia, and is currently writing a novel set in the ruins of sixth-century Londinium.

Rebecca's work appears in Issue 1 of Hinterland. Click here to buy a copy.