Anthony Head (Life Is a Great Entanglement) is a writer and editor who has lived for much of his life in Tokyo. His articles have been published in numerous journals, including History Today, The Edinburgh Review, The London Magazine and the TLS. His poetry has appeared in Outposts, Orbis, The Frogmore Papers, Acumen and other journals. He is the editor of three volumes of the letters and diaries of John Cowper Powys and several collections of essays by Llewelyn Powys.

Anthony's work appears in Issue 11 of Hinterland. Click here to buy a copy.

Alison Baxter (El Chaltén) has an MA in Biography and Creative Non-Fiction from the University of East Anglia and a PhD in Creative Writing from Oxford Brookes University. Her doctoral thesis explored the ambiguous boundary between fiction and nonfiction in relation to her book, A Cornish Cargo: the untold history of a Victorian seafaring family, published in 2020. Alison is a Fellow of the Royal Historical Society and has a particular interest in the Victorian era and the forgotten lives of so-called ordinary people. She is currently working on a new book based on a tragic story she found in the newspaper archive. She lives in Oxford.

Alison's work appears in Issue 11 of Hinterland. Click here to buy a copy.

Maya Osman-Krinsky (Pork Belly Prayer; they/them) is a native New Yorker who writes about the relationships between language, food, and violence. Maya graduated with a BA in Linguistics from the University of Chicago in 2021 and is now pursuing a Masters in Public Health at Columbia University. Maya is a Pushcart nominee, was named runner-up in the 2020 Kurt Brown Prize for Creative Nonfiction, and participated in the 2021 Tin House Summer Workshop. Their writing can be found in Hinterland, Stone of Madness, Brevity, Bite Magazine, and Food Tank. Keep up with Maya on Twitter at @mokwrites

Maya's work appears in Issue 8 of Hinterland. Click here to buy a copy.

Edward Little (A Mind Full of Sake) is a writer from the Wirral who studied for an MA in Creative Writing at Chester. He has been published in a variety of online and print magazines, including Storgy, Cagibi, Pandora’s Box, and others. Spending a lot of time at open-mic events, he turns stories like this one into performances, hoping to soon have a collection that attracts readers as well as a live audience. This one is dedicated to drunk encounters.

Edward's work appears in Issue 8 of Hinterland. Click here to buy a copy.

Ivan Pope (Absent Without Leave) writes fiction and nonfiction, often straddling the edges of the two. His interest is in human geography and how we come to be what we are. He is currently undertaking a creative writing PhD at Plymouth and has a non-fiction creative writing MA from UEA. He has been an internet entrepreneur and journalist and his first novel, The Takers and Keepers, was published in March 2021.

Ivan's work appears in Issue 7 of Hinterland. Click here to buy a copy.

Julie FitzGerald (Nevada: Rest Stop, NV167) enjoys writing about place and its effects - how it shapes people’s lives, their attachments to each other, and their sense of self. She is currently working on Sagelands, a memoir exploring wellness, specifically desert wilderness and ecotherapy, whilst studying for an MA in Biography & Creative Non- Fiction at the University of East Anglia. Previous work features in The Mechanics’ Institute Review. Originally from the Wirral, Julie is based in London. Find her on Twitter @JulieJulesJule

Julie's work appears in Issue 7 of Hinterland. Click here to buy a copy.

Nathan Munday (Bear Stalking in the Bucegi) is a Welsh writer from Carmarthenshire. In 2016 he won the M. Wynn Thomas New Scholars Prize and came second in the New Welsh Writing Awards with his creative non-fiction book Seven Days: A Pyrenean Adventure, published by Parthian in 2017. He has also been placed twice for poetry in the Terry Hetherington Awards (2019, 2020). When he’s not writing and reading, he enjoys mountains; and works for Christian Aid.

Nathan's work appears in Issue 6 of Hinterland. Click here to buy a copy.

Nick Bradley (Overexposed) is a graduate of both the MA and the PhD in Creative and Critical Writing programs at UEA. His debut novel The Cat and The City was published by Atlantic Books in the UK in June 2020, North America in September, and is currently being translated into multiple languages. It was chosen for the BBC Radio 2 Book Club with Jo Whiley, and has received praise in The Times and The Guardian amongst others. For a decade, Nick lived and worked in Japan.

Nick's work appears in Issue 6 of Hinterland. Click here to buy a copy.

Priya Rajan (A Week in Churu and Bikaner) lives in Bangalore, India. She worked in the software industry for more than a decade and quit for personal priorities. Currently, she is striving to be a writer. Her work has been published in NatureWriting, Snapdragon, Flock and Orion magazines. Her family is passionate about travelling and they explore the incredible landscapes of India along with their young and adept traveler daughter.

Priya's work appears in Issue 4 of Hinterland. Click here to buy a copy.

B. W. Jackson (The Paris Pageant) is a native of Upstate New York. His fiction has been nominated for a Pushcart Prize.

B. W. Jackson's work appears in Issue 4 of Hinterland. Click here to buy a copy.

Stacy E. Holden (Ah Ya Ween [Oh, Where Am I?]) is an Associate Professor of History at Purdue University, where her research focuses on the modern Middle East and North Africa. She has published scholarly articles on milling in Fez, historic preservation as a colonial policy, the politics of colonial monuments, and a variety of other topics that illuminate everyday life in the Arab world. She is currently writing a travel memoir tracing Edith Wharton’s 1917 trip to Morocco as a means of assessing midlife nostalgia. Learn more about her at stacyeholden.com

Stacy's work appears in Issue 4 of Hinterland. Click here to buy a copy.

Andrew Menard (Sons of Neptune) is the author of two books: a monograph on the nineteenth-century American explorer John Frémont and a literary non-fiction account of Henry David Thoreau. Articles and essays have appeared in everything from Artforum, Studio International and Oxford Art Journal to The New England Quarterly, Georgia Review and Antioch Review.

Andrew's work appears in Issue 3 of Hinterland. Click here to buy a copy.

Dru Marland (The Archangel’s Way) is a poet, illustrator and mechanic. She lives among the voles on the Kennet and Avon Canal.

Dru's work appears in Issue 2 of Hinterland. Click here to buy a copy.

Yin F. Lim (Tourist in My Homeland) is a Malaysian-born writer and editor who is now based in the UK. Interested in food, family stories and the East Asian diaspora, her work has been published in several anthologies including Who Are We Now? A Collection of True Stories about Brexit. Find her at yinflim.com and on Twitter @YinFLim.

Yin's work appears in Issue 2 of Hinterland. Click here to buy a copy.

Richard Beard (The Archangel’s Way) has written six novels and four books of narrative nonfiction. His memoir The Day That Went Missing won the 2018 PEN Ackerley Award for literary autobiography and was a finalist for the National Book Critics Circle Award.

Richard's work appears in Issue 2 of Hinterland. Click here to buy a copy.

Saloni Prasad (The Women At The Station) is from Surat, India. She writes about life, people and culture; likes to listen to Indian Classical music and can often be spotted talking to herself. She recently completed her Masters in creative writing at the University of East Anglia in Norwich. In her former life, she was a project manager and an electrical engineer. Saloni blogs at www.theturquoiseink.com

Saloni's work appears in Issue 1 of Hinterland. Click here to buy a copy.