Jack Young (The Boy Next Door) writes experimental fiction and non-fiction, which has found its home with Entropy, Somesuch Stories, 3 A:M, Caught by the River and Burning House Press, among others. He also co-hosts the literary podcast Tender Buttons with Storysmith Books. His hybrid chapbook of interspecies intimacies Urth was published in 2022 by Big White Shed. He is currently curating a participatory programme at Bristol’s Spike Island Gallery around the concept of the Body-Forest, which is a way of decentering the human and thinking ecologically about desire, time, language, community and more.

Jack's work appears in Issue 10 of Hinterland. Click here to buy a copy.

Emilio Williams (Fade to White) is a bilingual (Spanish/ English) award-winning writer and educator. His critically acclaimed plays have been produced in Argentina, Estonia, France, Mexico, Spain, the United Kingdom, and the United States. Emilio has lectured around the world and taught creative writing in several U.S. universities. He holds a BA in Film and Video and a MFA in Writing. He is a resident playwright and faculty member at Chicago Dramatists, and divides his time between Chicago and Paris. www.emiliowilliams.com

Emilio's work appears in Issue 7 of Hinterland. Click here to buy a copy.

Megan Holland (The Snake Pass) writes across multiple genres and platforms. A short story, The Coalman, raised funds for the homeless charity Barnabus; while her novel The Last Picture House was selected for the Penguin Random House initiative Writenow. Resistance, a play, was performed at Oldham Coliseum Theatre as part of the First Break festival and another short story, Date Night, won the Creative Future Literary Awards 2017. Megan is also being mentored by the LGBTQ initiative Raising Our Voices.

Megan's work appears in Issue 3 of Hinterland. Click here to buy a copy.